Feminist Media Criticism, George R.R. Martin’s A Song Of Ice And Fire, And That Sady Doyle Piece

Feminist Media Criticism, George R.R. Martin’s A Song Of Ice And Fire, And That Sady Doyle Piece by Alyssa Rosenberg A much more level-headed response to criticism of GRRM’s approach to women that asks us to take a more objective view of storytelling, and refuses to equate the story with the writer or the reader.

My friends and I have remarked how GRRM’s mothers (those without grown children: Cersei Lannister, Catelyn Stark, Tanda Stokeworth, Lysa Arryn, etc.) are characterized as having “mother’s madness”. Their attempts to protect their children seem ill-advised, and at times harm their other offspring (Rickon, Myrcella). We had a hard time naming sane mothers who behaved rationally, other than the Queen of Thorns (Olenna Redwyne). Daenerys, the ultimate Mother, also fears the madness of her house’s blood, and my friends and I have yet to decide what this exception might mean for the series’ future and GRRM’s stance on mothers. All the same, it would do our minds a disservice if we reacted to this question with nothing but all-caps outrage and exceptionalism. I’m not saying Sady Doyle doesn’t make some good points about orientalism, etc., but Alyssa Rosenberg points out some telling flaws in her arguments that, I feel, often characterize the more embarassing portions of New Wave Feminism.